The magic of the holiday season finds a new home in Christmastime in Rio, a radiant collaboration between guitarist Romero Lubambo and vocalist Pamela Driggs. This album captures the warmth and joy of the season through the lens of Brazilian rhythms, offering a fresh perspective on holiday classics and original tunes. From tender ballads to playful sambas, Lubambo and Driggs craft a musical celebration infused with love, gratitude, and the timeless spirit of togetherness. With each track, the duo creates a musical landscape that feels nostalgic and refreshingly vibrant, a testament to their artistry and heartfelt connection to the material.
The album opens with “Have Yourself a Merry Little Christmas,” a tribute to the interplay of beauty and Holiday spirit in a Latin landscape. Drigg’s warm voice delivers a delighted rendition of the melody. The arrangement begins with a chord progression that contains mystery and beauty, which is performed by Lubambo and Gonçalves, gradually leading to the verse and the hopeful and light mood. “I’ll Be Home for Christmas” features Lubambo and pianist Peter Martin. After an excellent rendition of the melody, Lubambo and Martin take turns within the improvisation section, expressing their thoughts with clarity and spirit while showcasing their inquisitive musical languages.
“Holiday of Love” gracefully sets the stage for more Holiday cheer. “Holiday of Love,” written by her grandfather’s cousin, Bill Driggs, reflects how the Driggs family legacy is intertwined with American musical history, as Bill Driggs was part of the King Sisters’ lineage—a celebrated singing group from the 1930s through the 1960s. Their name was derived from William King Driggs, patriarch of the musical dynasty. Pamela grew up listening to their records and watching their performances, including their family holiday specials, which inspired her love for music. Pamela and Romero breathe new life into it with a Brazilian twist, blending warmth and rhythm into the track while honoring its roots. This personal touch underscores the album’s intimate and familial nature, making it a heartfelt addition to holiday playlists.
“Christmas Love Song” is a gem with an engaging Latin ballad rhythmic pattern established by Lubambo’s full guitar chords. Influences of 50s jazz can be heard in the way Driggs navigates the intricate melody. Lubambo’s guitar solo is fluid, as are Martin’s accompaniment and fills. Similarly, “Silent Night” feels dreamy and breezy with its sophisticated vocal arrangement and a guest vocal appearance by Luisa Lubambo. The in-the-pocket flow of “Presente de Natal” bears a sophisticated Latin pattern sequence, shaping up as a festive exploration with a bossa nova groove. It brings to my mind the timeless charm of the Holiday spirit in a classic manner. Joe Locke’s vibraphone solo is energetic and lyrical.
While the duet rarely delves into abstract territory, they excel in creating cohesive Holiday narratives. A good example of the group’s effortless communication is the quick-witted arrangement of “Jingle Bells,” a contemporary Latin-infused cut that sways with a distinct Brazilian vibe. “Toyland,” a flowing waltz, provides a peaceful closure and features a beautiful guitar intro by Lubambo. Gonçalves accordion adds a fresh perspective to the classic Christmas waltz.
In Christmastime in Rio, Lubambo and Driggs succeed in blending the universal appeal of holiday music with the distinct beauty of Brazilian musical traditions. Their heartfelt performances and engaging arrangements make this album a standout addition to the season’s soundtrack. Whether you’re drawn to its tender moments or the lively rhythms, this collection offers something special for everyone—an invitation to celebrate the season with warmth, joy, and Brazilian elegance.
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