Katie Henry, Get Goin’ Review

Katie Henry’s Ruf Records release, Get Goin’, on February 23, 2024, is a compelling testament to the evolving landscape of blues music, infused with Americana and electric blues elements. Henry, a New Jersey native, has rapidly ascended as a beacon of innovation within the blues genre, a journey that commenced with her critically lauded debut, On My Way. However, with Get Goin’, she delves deeper into the essence of her musical identity, propelled by the support of blues luminary Bernard Allison and his band. This collaboration enhances the album’s authenticity and showcases Henry’s versatility and depth as an artist.

The album’s narrative arc is a blend of high-octane energy and introspective lyricism, encapsulated in tracks like “A Doll’s Heart,” “Voodoo Woman,” and “The Lion’s Den.” The opener, “Love Like Kerosene,” immediately sets the tone, offering a fiery homage to Gregg Allman’s influence, while the closer, “Nobody’s Fault But Mine,” concludes the album on a note of reflective resilience. Henry’s decision to cover “Love Like Kerosene” underscores her ability to reinterpret and invigorate established blues themes with a fresh perspective, a skill further highlighted in the accompanying music video filmed in Lindewerra, Germany.

Henry’s musical journey is marked by a confluence of varied influences. From her early fascination with piano chords at age six to her immersion in New York City’s vibrant music scene during college, her style is a rich tapestry of blues, rock, R&B, funk, pop, soul, and country. This eclectic blend sets Get Goin’apart, as it pays homage to traditional blues and pushes the boundaries by incorporating modern sensibilities and thematic concerns relevant to today’s society.

The album resonates with listeners through its energetic delivery and Henry’s engaging storytelling. Her partnership with Allison and his band brings an outstanding musical quality and layers of authenticity and soul to the project. Allison’s production and the band’s skilled musicianship provide a robust foundation for Henry’s vocal and instrumental skills, creating an immersive and dynamic listening experience.

Henry’s dedication to her craft, her distinctive voice, and her band’s compelling performances will interest anyone wanting to explore new territories in blues music. In essence, Get Goin’ is a vibrant chapter in the ongoing story of blues music, reflecting the genre’s resilience and capacity to evolve while staying rooted in its rich heritage. With her remarkable talent and visionary approach, Katie Henry stands at the forefront of this evolution, making Get Goin’ a crucial addition to the discography of anyone passionate about the future of blues.