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Social Distortion, Born to Kill Review

by Nolan Conghaile Most comeback albums arrive carrying the weight…

Lauren Watkins, Heartbreakaholic Review

by Amity Hereweard Lauren Watkins doesn’t waste much time dressing…

Atreyu, The End Is Not the End Review

by Nolan Conghaile Atreyu’s The End Is Not the End…

Megan Moroney, Cloud 9 Review

by Amity Hereweard On Cloud 9, Megan Moroney rarely pushes…

Wayne Alpern, Varieties & Extravaganzas Review

by Brice Boorman There are composers who are stuck in…

Natalie Shay, ATMOSPHERE Review

by Amity Hereweard Natalie Shay’s ATMOSPHERE is built on a…

Immolation, Descent Review

by Nolan Conghaile On Descent, Immolation delivers a series of…

Shawn Purcell, Oblivity Review

by Brice Boorman Guitarist and composer Shawn Purcell’s Oblivity presents…

RAYE, This Music May Contain Hope Review

by Amity Hereweard RAYE’s THIS MUSIC MAY CONTAIN HOPE operates…

U2, Days of Ash Review

by Nolan Conghaile When a band, like U2, that has…